Posts Tagged ‘visual kei’

Pulsations (05.10.12)

Friday, May 11th, 2012

Here are the latest Pulsations, links to fresh stories and visuals about Japan, shout-outs to fellow bloggers, and highly clickable stuff that we think you might enjoy.

In no particular order, they are . . .

  • Visual guide to Japanese kaomoji (emoticons) (from Japan Sugoi): One of the sad things about coming to Japan is discovering that your phone is able to express more shades of human emotion than you. The only logical step is to start copying the emoticons — Japan Sugoi shows you how.
  • A Poppin’ Cookin’ Good Time (from Sake Puppets): “Where’s my flying car,” you might ask. “Where is that love-making robot I was promised?” If you feel a little sad about this future we’re living in, maybe this DIY ice-cream cone candy set will cheer you up.

Internet Go BOOM: Visual Kei’s Deep Throat

Tuesday, March 9th, 2010

This marks the debut of Internet Go BOOM, a series that will look at how topics du jour evolve online in Japan.

The Epicenter

3.1.2010: Tokyo Damage Report posts a nearly 10,000 word anonymous interview with a former executive of a Visual Kei record label. The executive dishes on the state of the industry, exposes harsh working conditions of band members, gives examples of marketing strategies of the executives, and draws a detailed picture of the mob-like connections between different Visual Kei labels.

Between March 1 and March 7 a 74-comment (and counting) discussion ensues between TDR, Visual Kei fans and curious bystanders. DaRC promises to blog further on the topic and interview to “rip holes” in fan girl “dream bubbles.” Mary worries that her money spent on Visual Kei music and merchandise isn’t going to the artists. “Relatively Mature Adult Fangirl” calls some of the interview exaggeration and says that the interview would be more believable if it was about Johnny’s Jimusho. “Don’t want to get kneecapped,” a journalist who covered Visual Kei bands, claims that the rigid control is far worse than U.S. artists experience.

The Aftershocks

3.1.2010: Adamu of Mutantfrog Travelogue, a multi-author blog about East Asian culture and politics, posts a link to the interview. 19-comment (and counting) discussion ensues. Dave worries that sites may be considering the interview actual investigative journalism when it is actually of questionable authenticity. He also notes that the tone of the translation has TDR’s trademark style – casual, lots of pop-culture references, very entertaining. Adamu notes that he called it “a probably true-to-life mokumentary.” In the comments, Roy of Mutantfrog requests David Marx’s opinion.

3.3.2010: Mash Potato Poet, Visual Kei fan and rural poet, expresses mixed feelings of betrayal (on the part of the producers and shadowy label owners) and sympathy (for the band members who are just like sarariimen even if they don’t wear suits).

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