Posts Tagged ‘cinema’

Pulsations (07.20.12)

Friday, July 20th, 2012

Here are the latest Pulsations, links to fresh stories and visuals about Japan, shout-outs to fellow bloggers, and highly clickable stuff that we think you might enjoy.

In no particular order, they are . . .

  • On Japan’s excessive use of cones  (from Shoot Tokyo): Tokyo based photo-blogger Dave Powell, otherwise known as Shoot Tokyo, takes us on a visual tour of a land where the cone is king. Be sure to take a look at some of Dave’s other entertaining posts with stunning photography from Japan and abroad.
  • Former yakuza busted in nationwide sting (from Tokyo Reporter): A story with all the makings of a mob classic, but this time it’s for real. Kenichiro Nakao, a former member of the Dojin-kai criminal organization, claims he had nothing to do with the fraudulent activity he’s been arrested for — big surprise there. The more you read, the more “former gangster” sounds like an oxymoron.
  • Homemade hayashi chuuka bento (from Being A Broad): Hiyashi chuuka is a healthy dish perfect for taking to school or the office. Here is a simple recipe with different combinations of meat and vegetables as well as detailed instructions on how to prepare it. Simple, delicious and inexpensive.
  • The life of director Ichikawa Kon (from Japan Navigator): Japanese culture blog Japan Navigator profiles the long life and career of film director Ichikawa Kon, active in the industry from 1936 until his death in 2008. Within his extensive filmography he is best known for “The Burmese Harp” (1956), “Alone in the Pacific” (1963), and “The Tokyo Olympiad” (1965). A must-read for fans of Japanese cinema.

Visual pulse:

J-vlogger Ciaela and her friends translated Adele’s hit “Someone Like You” into Japanese. The result is completely professional — and just as likely as the original to get stuck in your head.

Japanese R&D brings 3D technology closer to home

Friday, October 2nd, 2009

3D_blue_1503D_red_150While most people look to Hollywood films and childrens’ features for the latest in 3D technology (selections from James Cameron’s “Avatar” will be premiered at TIFF this month), much of the coming onslaught of multidimensional entertainment is emerging here in Japan, and far the multiplex.

For starters, there is Fujifilm’s pricey new 3D compact camera and viewing system. Early reviews of the Finepix REAL 3D W1 have not been kind (or fair), but it would still behoove gadget hounds to read up before plonking down the estimated ¥100,000 for the gear required. Sony’s new HFR Comfort-3D is for pros capturing live-action events, and at 240 frames-per-second, that’s a lot of action. We’ll watch, too, because if Engadget is right, 3D tech may really be the killer app for sports.

If Sir Howard Stringer is correct, we’ll all be watching these sporting events on 3D TVs by next year. Sony, Panasonic, Samsung and every other major electronics producer either has or will have product ready by then, but a good place to look for the latest news will be at the CEATEC convention in Makuhari Messe next week, where many of the latest gear will be announced.

For gamers, the Playstation 3 will soon offer 3D capability to all of its existing games. The Xbox is likely to do the same. While not 3D in its conventional sense, I like how these games use voxel data and the now-ubiquitous tilt-shift photography method to give a sense of depth.

Perhaps the most significant application of 3D technology to affect our lives won’t come from entertainment but from the incorporation of haptic technology. Japanese scientists are now working on holograms that you can touch (or feel like you’re touching anyway), and everyone is talking about when our keyboards will be replaced with sci-fi e-Gloves that search and organize the Web more intuitively than our wireless mouse and track pad ever could. Yes, the future is here – you can almost reach out and give it a squeeze.

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